At first glance Ugolino, a man condemned to death by starvation, looks frightened and cowardly. One breathes in his desperation and weakness, as his sons offer themselves for sustenance. However, in circling the sculpture, I literally drew in my breath and then gasped. The power and strength in his muscular back instantly tells of a man once strong, proud and full of promise. It was haunting and inspiring at the same time and I haven’t stopped thinking about it since.
The decomposition of this painting reminds me of the daunting task that the Metropolitan Museum of Art has of preserving and restoring the countless pieces of art in their collection. Their expertise and dedication ensures that many future generations will be able to experience some of the most beautiful art in the world.
Fragmentary Shroud with a Bearded Young Man
Date: A.D. 120-150, Egypt
A dazzlingly jeweled strap graces the bare, white shoulder of a Parisian woman in a black velvet gown. Originally, the artist had drooped the strap languidly down her arm, suggesting the sitter’s frank sexuality. French high society was scandalized by the portrait of “Madame X”. Sargent reluctantly repainted the offending strap.
Anonymous asked: May I enter a photo of a piece of art that's on view in a glass display case in the big store room that one can enter off the stairwell in the American Wing? That store room is open to the public.
Hi, as long the work of art is not in a Special Exhibition, is not part of our Modern Art collection, and is not in an area where photography is not allowed, it’s fair game for the contest.
Thanks,
Alex
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Alex Hills
Digital Media Department
The Metropolitan Museum of Art
I was drawn to this sculpture by its amazing contemporary appearance,
her hairstyle, her stature. The draped style of her covering, could be
today’s long cardigan. Her facial features are so finely formed as to be representational of a woman from a recent era.
She appears tranquil, almost thoughtful.
Was she posing, waiting… looking right at me.
